Collaborating on a book is a terrible idea. But if you must, be asymmetrical.
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Collaborating on a book is a terrible idea. But if you must, be asymmetrical.

Writing a book is hard enough. Adding another person makes it twice as hard. Collaboration only makes sense if it’s asymmetrical — if you have complementary skills and different jobs. I’ve written three books with coauthors, edited a few more, and am currently ghostwriting parts of books with other authors. Coauthoring sounds like it’s going…

The 11 qualities of highly paid, ultra-valuable editors

The 11 qualities of highly paid, ultra-valuable editors

Some editors get paid $40 per hour. Others charge $400 — and their clients are glad to pay it. What could an editor possibly do to be worth this much? An ultra-valuable editor is a writer’s essential partner, enabling writers not just to accomplish their goals, but to become better writers. To be an editor like that, you…

What to tell an editor

What to tell an editor

You’ve completed a draft and you’d like a review. This is your chance to tell the editor clearly what you need. Or, you could start with excuses. It’s your choice. When you turn over a draft for editing, there’s always stuff that you worry is weak or wrong. Resist the urge to hide your weaknesses. This is…

Lessons from picking a “Writing Without Bullshit” publisher
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Lessons from picking a “Writing Without Bullshit” publisher

I spent the last month pitching publishers. I spent Monday biting my nails and weighing offers. Today I announce the results and share what I’ve learned. HarperBusiness will publish Writing Without Bullshit in September 2016. My editor will be the estimable Hollis Heimbouch, who in an ironic twist was the editor in charge of acquiring Groundswell for Harvard Business…